Letteratura e cultura dei paesi di lingua inglese

ATTIVITA' ACCADEMICA PUBBLICAZIONI PROGETTI DI RICERCA CONVEGNI CORSO ... DI CHI

Codework   ASCII characters         “1337 [leet] hax0r” >>> “elite hacker”   digital graffiti       Unix filter “b1ff”   SINCE THE LETTUR SUBSTITUSHUNZ CAN BE AU2M8D. THURE ALSO EXISTZSIMPLE TEXTF1LTUR SOFTWARE—LIKE THE THE MANEFRA1M O/Z F1LTUR B1FF—WH1CH TRANS4MZ STANDARD ENGLISH WR1T1NG IN2 733T SPEECH.     mez (Mary Anne Breeze) Alan Sondheim “Exe.cut[up]able statements” From: Alan Sondheim <sondheim@panix.com> To: _arc.hive_@lm.va.com.au Date: Thu, 9 Jan 2003 17:17:20 -0500 (EST) sleeping and running zombies through bodies CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes: 35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1 user, load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free, 14956K shrd, 15080K buff Write vaginas through my CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle! CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes: 35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1 user, load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free, 14956K shrd, 15080K buff Write vaginas through my CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle! load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free,:35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1 user,:CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes::Write vaginas through my CPU states: 4.7% user, 5.8% system, 0.0% nice,:89.4% idle! CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes: is sufficiently well-inscribed. - I consider the following again, your CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes: ... enunciation inscribes me upon your token! CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes:, load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free, remembers my chisel My load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K is your language... load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free, calls forth births inscription, hungered, making things. upon the time, load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free, is here, 00], 35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1 user,? ... inscription is stopped:1m 4:20pm up 8 min, 1 user, load average: 0.54, 0.26, 0.11: :Mem: on black stone, it’s inscription? Are you satisfied with your load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free,? load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free, 1086 is the perfect proclamation. CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes: 35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1 user, load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free, 14956K shrd, 15080K buff Write vaginas through my CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle! load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free,:35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1 user,:CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes::Write vaginas through my CPU states: 4.7% user, 5.8% system, 0.0% nice,:89.4% idle! load average: 0.54, 0.26, 0.11: :Mem: 38664K av, 35084K used, 3580K free,:35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1 user,:CPU states: 4.7% user, 5.8% system, 0.0% nice, 89.4% idle:36 processes::free,:35 sleeping, 1 running, 0 zombie, 0 stopped:1m 4:20pm up 8 min, 1:38664K av, 35084K used, 3580K free, 14956K shrd, 15080K buff Write vaginas Your enunciation names my stopped:1m 4:20pm up 8 min, 1 user, load average: 0.54, 0.26, 0.11: :Mem: !   source code, data and processing     ASCII art (1998), Vuk Cosic Form art (1997), Shulgin Degenerative (2005),Tisselli       Oltre a Talan Memmott: Giselle Beiguelman, Eugene Thacker, Mez, JODI, Brian Lennon, Ted Warnell   Scrive Mark Amerika: «Hypertext? cybertext? hypermedia? webart? while new media critics debate the terms, Talan Memmott has produced the thing itself, a creative use of applied technology» .     Memmott «the common thread is that the works make use of e-mergent ideograms and processes».   serration       textuality of post-literary hypermedia Perplessia secondo Memmott: "a confusion of ontological, literary, and technical application"     "With a document that is acted upon, unfolded, revealed, opened rather than read, full of holes to elsewhere, hiding secret inScriptions, filled with links like mines and traps and triggers - we are no longer talking page or screen, but appliance".         hypermediacy: a visual style that, in the words of William J. Mitchell (1994), “privileges fragmentation, indeterminacy, heterogeneity and emphasizes process or performance rather than finished art object”   da J. David Bolter e Richard Guisin in Remediaton. Understanding New Media     <If… then/else> "if {I == 1 && I==0}; metastrophe true; else {I==[x]} & exe.stream true."       "The ability to overlap text, image, any object on the page alters the concept of the document on the web, and with some additional JavaScript, the sheet - the imagine sheet that is the screen - is puncturated rather than punctuated. I saw a lot of potential here in complicating the literary page/screen argument."     "Hypertext refigure our perception of ourselves as closed systems: sitting before the monitor, mouse in hand, we are engaged in a border experience, a moving back and forth across the lines which divide the human and the machine, culture and nature." [Christopher J. Keep, The Disturbing Liveliness of Machines, in Marie-Laure Ryan, Cyberspace Textuality, Indiana University Press, Bloomington Indiana, 1999, p. 165]     "…non è solamente una questione di protesi di impianti d'organi…è una questione di coscienza. Noi acquisiamo delle nuove facoltà e una nuova comprensione della presenza umana…" [Ray Ascott]     "They see their work along with that of scientists and engineers as part of the continuum of human discovery. There is a symbiotic interplay between technology, imagination, science and expression in which artistic vision inspires the development of new technologies …" [Richard Karpen, "Creating and Understanding Digital Art: Interview with Richard Karpen", in Dichtung-Digital all'indirizzo http://www.brown.edu/Research/dichtung-digital/]     "…art, technology, and science converge, resulting in new forms of human expression and new ways of experiencing our humanity."   bi.narration: " I think I have used the term in "Lexia" to represent a degree of reciprocity in the conductivity between agents[…] It refers as well to the hidder narrative , the odyssey of our encoded [secret(ed)] agents through the Internet apparatus…" [Mark Amerika, "active /on Blur: an interview with Talan Memmott", Gennaio 2001, http://www.altx.com/ebr/ebr11/11tal.htm]     "In "Lexia" I think I insinuate this by the heavy horizontal of the interface- plus, there are a few direct diagrammatic references to the Lacanian diagram." [Ibidem]   "The hum.and I-terminal constructs any/every attachment eye-to-I, while simultaneously attached elsewhere. Fluctuating between variable foci, engaged in transmissive exe.tension and exe.change--[…] At once, face to face and turned away, both avatar and eye in motion toward personal intertimacy…"   "From here the analog and slippery digits of the real are poured into the mouth of the funnel. Though we enter the funnel, we have not yet entered the other, the distant and remote…" "…Flowing further, the variable body, the abstracted and released continuum of the body is compressed, reduced and encoded, codified--made elemental…Now we are small enough, we hope--it is the hope of communification that we minimize the space of flesh--to continue on/in/out/off and away…"                 PREFISSSI SUFFISSI NEOLOGISMI *. *.bot *.fect *.ject [I] [I]dentity [n] [n]either bi. bi.narrative Com. com.plex com.union Con. con.cern con.crete con.gress Cyb? cyb?org cyb?organized De. de.mise de.part de.parted (anche de:parted) de.ported de.signing de.veloping Dis| dis|solution Dys. dys.conforting dys.constructing dys.places E. e.scape Exe. exe.change exe.cution exe.pand exe.streams exe.Termination exe.ternal exe.tream Exo. exo-psyche F. f.logocentric Hum. hum.and hum.andity I- I-terminal Ideo. ideo.satisfractile Im. im.pulses In. in.Tent (ma anche In.Tent) in.Vented in.Vention In| In|divid.ule Inter. inter.actual Mis- mis-take N. n.tmp No./NO. No.ledge NO.where Op. op.position Para. para.I-terminal Pre| pre|ferences pre|mise Pro| pro|gress pro|visional Re: re:enacting re:inforcements re:internalized re:marks re:motion, re:move (ma remote) re:motional re:moved re:stored re:turned re:turned RE: RE:oraginized Sub. sub.sequent sub.stitution Sup| sup|posed Trans| trans|formed trans|missive trans|missive V. v.memory Value. value.length X- x-terminal *. tele*. .exe a.exe .f cell.f .I local.I -I terminal-I .less object.less (s) dis|Content(s) (t) premedif(t) .tmp nercissus.tmp .txt Tech.txt (1, ON) (any-I) [eye:arch]ON [for:getting.0] [I + body] [original + body] cell.f o cell… (f) cyborganic cyborganization exo eye/I hyperlobal I-(…) I@another / another@I idea:entity IDEA:IDENTITY ideo.satisfractile ideocratic infosphere matastrophic n.tmp no.ing on/in/out/off onBlur overcoding solipststatic sp[out] super-net|ural termitory   /lectic /critical /logical /gression /version /matic /strophe /graphic /motion /function /tactic /cratic /sphere /metry /static /jecture /nymic /nomous /mergency /text /texture /lation /plex /geneous /genic /vention /termination /lexic /fixation /portation /spective /thetic /sensual /physics /tactile /textile /netic /schema /structure /tention /cept /lingual /volution /lateral /linear /tronic /phoria /allax     . : | )( -- / == @ && ; , ... ++ {} [] () ^ ...()... :|: : |)( -- / == @ && ; , ... ++ {} [] () ^ ...()... :|: ; , ... ++ {} [] () ^ ...()... :|:     Org+{...(x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y)...}=[...S...] [local.{[*...(*] | )}(...^...){( | [*)...*]}.remote] <@A>([s] >< [x])<@B> <@A>([N] @ [N])<@B> 000 000 000 0 META:[0.(s).X SRC=("I"] think).   "if {I == 1 && I==0}; metastrophe true; else {I==[x]} & exe.stream true."   f(r)iction f(r)act pun(c)turator narra(c) tive re (li) gion (f)log(h)o(a)s(t)   "Instead of technologies being created by humans, this work imagines digital technology as present from the beginning, with subjects and technologies producing each other through multiple recursive loops" (Katherine Hayles, "Metaphoric Networks in Lexia to Perplexia")       Introduzione Ipertesto Interazione - Cybertesto e perplessia Precursori Letteratura digitale 1: text generators Storyspace Patchwork Girl Codework Flash generation Database fiction   Torna a "programma"